And now, they're coming for your Social Security money - they want your fucking retirement money - they want it back - so they can give it to their criminal friends on Wall Street. And you know something? They'll get it. They'll get it all from you sooner or later. Because they own this fucking place. It's a Big Club: and you're not in it.
""Context" is not a safe word that makes all your other horse-shit statements disappear. And horse-shit is the context in which Richard Cohen has, for all these years, wallowed. It is horse-shit to claim that store owners are right to discriminate against black males. It is horse-shit to claim Trayvon Martin was wearing the uniform of criminals. It is horse-shit to subject your young female co-workers to "a hostile work environment." It is horse-shit to expend precious newsprint lamenting the days when slovenly old dudes had their pick of 20-year-old women. It is horse-shit to defend a rapist on the run because you like The Pianist. And it is horse-shit for Katharine Weymouth, the Post’s publisher, to praise a column with the kind of factual error that would embarrass a j-school student.
Richard Cohen’s unfortunate career is the proper context to understand his column today and the wide outrage that’s greeted it. We are being told that Cohen finds it “hurtful” to be called racist. I am sorry that people on the Internet have hurt Richard Cohen’s feelings. I find it “hurtful” that Cohen endorses the police profiling my son. I find it eternally “hurtful” that the police, following that same logic, killed one of my friends. I find it hurtful to tell my students that, even in this modern age, vending horse-shit is still an esteemed and lucrative profession."
— Ta-Nehisi Coatesputs Richard Cohen and a lot of other bullshit into crystalline context in 245 words. That, ladies and gentlemen, is writing.
"I hope you don’t have friends who recommend Ayn Rand to you. The fiction of Ayn Rand is as low as you can get re fiction. I hope you picked it up off the floor of the subway and threw it in the nearest garbage pail. She makes Mickey Spillane look like Dostoevsky."
— Flannery O’Conner, as clear on her theoretical 88th birthday as on any other.
"Imagine a puddle waking up one morning and thinking, “This is an interesting world I find myself in — an interesting hole I find myself in — fits me rather neatly, doesn’t it? In fact it fits me staggeringly well, must have been made to have me in it!” This is such a powerful idea that as the sun rises in the sky and the air heats up and as, gradually, the puddle gets smaller and smaller, it’s still frantically hanging on to the notion that everything’s going to be alright, because this world was meant to have him in it, was built to have him in it; so the moment he disappears catches him rather by surprise. I think this may be something we need to be on the watch out for. We all know that at some point in the future the Universe will come to an end and at some other point, considerably in advance from that but still not immediately pressing, the sun will explode. We feel there’s plenty of time to worry about that, but on the other hand that’s a very dangerous thing to say."
— Douglas Adams, who would be 61 today, speaking at Digital Biota 2 in 1998.
"Yeah, I’ve drank bathtubs full of hooch, but I never craved it. I didn’t drink because I was depressed or anything. I used it because funny things tended to develop when I was drinking. It took me a while to see how repetitive it is, how people do and say the same things at a bar. Now, maybe I’ll have a drink, maybe a beer once a month at the most, when me and Dian go out.
I had a strange relationship with the bottle. I never met anyone who drank as often as I did, but who did it purely for recreation. To me, going to the bar was like going to the circus every day."
— Pete Dexter, journalist, novelist, writer, and former circus aficionado on his relationship to hooch and hooch purveyors.
"Skynet once again uses its (apparently not all that limited) time-travel device, this time to send a far more advanced liquid metal T-1000 Terminator back to 1990s L.A., this time to kill the ten-year-old John Connor (played by the extremely annoying Edward Furlong , whose voice keeps cracking pubescently and who’s just clearly older than ten), and that the intrepid human Resistance has somehow captured, subdued, and “reprogrammed” an old Schwarzenegger-model Terminator — resetting its CPU’s switch from TERMINATE to PROTECT, apparently  — and then has somehow once again gotten one-time access to Skynet’s time-travel technology  and sent the Schwarzenegger Terminator back to protect young J.C. from the T-1000’s infanticidal advances. "
"Recall that it’s A.D. 2027 and that there’s been a nuclear holocaust in 1997 and that chip-driven machines now rule, and “Skynet,” the archonic diabolus ex machina, develops a limited kind of time-travel technology and dispatches the now classically cyborgian A. Schwarzenegger back to 1984’s Los Angeles to find and terminate one Sarah Connor, the mother-to-be of the future leader of the human “Resistance,” one John Connor ; and that apparently the Resistance itself somehow gets one-time-only access to Skynet’s time-travel technology and sends back to the same space-time coordinates a Resistance officer, the ever-sweaty but extremely tough and resourceful Kyle Reese, to try desperately to protect Ms. Sarah Connor from the Terminator’s prophylactic advances , and so on."
— David Foster Wallaceturns in the most complex single sentence that ever was or ever will be written about the film Terminator.
"The first [thing Michael Jordan’s oddly vindictive Hall of Fame induction speech makes clear] is that this induction was a formality that Jordan couldn’t enjoy the way a normal man might, since he’d lived almost half his life certain this moment was inevitable (it was like finally receiving a plaque for something he’d done in 1994). The second is that this speech was the last time anyone would think about Jordan as a living basketball player, and he knew it. Obviously, we’ll never stop talking about Jordan’s career, but — from now on — it will almost always be in reference to someone else."
— Chuck Klosterman, writing for Grantland. One of the more perceptive paragraphs about sports (in general) and people like Jordan (in particular) that I’ve read.